This class explores the psychology and sociology of prejudice, asking a deceptively simple question: what is race? From here follows a second question: what is racism? We'll explore implicit bias, and equip students to understand it, recognize it, and critically evaluate it. We'll start by outlining early colonial theories of scientific racism and the ongoing myths around race and intelligence, including phrenology, eugenics, and discussions of stereotype threat and IQ. We will question how race can be at once not based in any evolutionary, demographic, or biological reality and yet be a driving force in many social and political arenas. We will then examine stereotypes more widely, and how they can persist in society despite the decline of overt prejudice, through mechanisms of implicit bias, microaggression, and institutional racism. Students will take from this course a much deeper understanding of how prejudice shaped the contemporary world and how different approaches to understanding our own and others' implicit bias have implications for social policy and social justice.

In this introductory class, we take drawing out into the world, exploring different environments, techniques, and approaches as we go. The fundamental nuts-and-bolts of basic drawing techniques: light logic, depicting depth and drawing the figure, are integrated into each environment. From the Stanford campus: its cafe's, architecture and landscaping, to redwoods and water, to more urban settings, drawings will range from high-speed gestures to longer, more contemplative work. Through pen, graphite, charcoal, ink, watercolor/gouache and mixed media, we explore dichotomous relationships, as well as those in seemingly perfect harmony. We move from the inanimate to animate, figure and architecture, motion and stillness, to the micro and macro, considering how even the smallest patch of earth may be as monumental as Hoover Tower. Both beginning and advanced students are welcome.

This course will introduce students to stop-motion animation and video editing techniques for art making, created on cell phones and with freely available software and tools. Students in this class will analyze and create lo-res or "DIY" works designed for fast production and distribution via internet and social media channels.

The course combines the critical analysis of cell phone photography with the creation of photographic art works that explore this specific medium's experimental, social and documentary potential. The increasing ubiquity of cell phone photography has had a widespread impact on the practice of photography as an art form. We will consider and discuss the ways in which the platforms of cell phone photography (Instagram, Snapchat) are democratizing image-making and transforming notions of authorship and subjectivity to an unprecedented extent, but also how the use of new technological tools help expand notions of creativity and aesthetic standards.

Energy is the number one contributor to climate change and has significant consequences for our society, political system, economy, and environment. Energy as a fundamental driver of human development and opportunity. Fundamentals of each energy resource -- including significance and potential, drivers and barriers, policy and regulation, and social, economic, and environmental impacts and will be able to put this in the context of the broader energy system. Both depletable and renewable energy resources are covered, including oil, natural gas, coal, nuclear, biomass and biofuel, hydroelectric, wind, solar thermal and photovoltaics (PV), geothermal, and ocean energy, with cross-cutting topics including electricity, storage, climate change and greenhouse gas emissions (GHG), sustainability, green buildings, energy efficiency, transportation, and the developing world.

This Chinese language course is designed for students with no previous knowledge of the language. The goal is to develop communicative competence in listening, speaking, reading and writing skills at the elementary level.

Analytical and numerical methods for solving ordinary differential equations arising in engineering applications are presented. For analytical methods students learn to solve linear and non-linear first order ODEs; linear second order ODEs; and Laplace transforms. Numerical methods using MATLAB programming tool kit are also introduced to solve various types of ODEs including: first and second order ODEs, higher order ODEs, systems of ODEs, initial and boundary value problems, finite differences, and multi-step methods. This also includes accuracy and linear stability analyses of various numerical algorithms which are essential tools for the modern engineer. This class is foundational for professional careers in engineering and as a preparation for more advanced classes at the undergraduate and graduate levels. Prerequisites: knowledge of single-variable calculus equivalent to the content of Math 19-21 (e.g., 5 on Calc BC, 4 on Calc BC with Math 21, 5 on Calc AB with Math 21). Placement diagnostic (recommendation non-binding).

random variables, independence, and conditional probability; discrete and continuous distributions, moments, distributions of several random variables. Topics in mathematical statistics: random sampling, point estimation, confidence intervals, hypothesis testing, non-parametric tests, regression and correlation analyses; applications in engineering, industrial manufacturing, medicine, biology, and other fields. Prerequisite: CME 100/ENGR154 or MATH 51 or 52.

Since its launch in 2005, YouTube has become the second most visited website in the world, with more than 1 billion monthly users. It has influenced the worlds of entertainment, politics, and business alike. It has launched the careers of A-list celebrities while also creating an entirely new celebrity ecosystem. It has become a crucial political tool for presidential candidates and political subcultures alike. In the process, it has upended the entertainment industry and much of its business model. From the beginning, it has also been a source of controversy, raising questions about its role in promoting cyberbullying, radicalization, and harmful content. This course will provide an overview of the platform’s cultural history. Drawing on communication studies, media theory, and science and technology studies, we will explore how the platform has evolved in its seventeen years of existence, and how it has influenced, and been influenced by, its cultural and political environment. Students will be introduced to concepts such as participatory culture, microcelebrity, and platform politics. We will grapple with questions such as: how have YouTube’s new technological features shaped the culture of the platform, and vice versa? How does community function on the platform, and how has that changed over time? And how have YouTube’s content policies affected each of these dynamics? As we address these questions, we will come to grapple with the broader concerns of what it means to be a platform online and why a history of platforms matters.

Are you concerned the Walking Dead will soon rise? Are we on the verge of World War Z? What can be done to prevent the escape of Zombie-producing agents from labs? This course seeks to save the world through the introduction of biosafety history, concepts, and principles & practices as seen through the lens of specific diseases and research at Stanford. The course will be of interest to students looking to pursue careers in biomedical research or those wishing to pursue professional medical education. Note: First day instructions for 6/22/22 1) Watch the recorded lecture on Canvas. 2) Meet at 2 PM at the Li Ka Shing Center for Learning and Knowledge (LKSC), 291 Campus Drive, cafe on the 1st floor. You will be doing an hour-long tour. This is for 6/22 only. The rest of the summer sessions will be held on Wednesdays, 3 to 5:30 pm in Edwards, R358.